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Locomotion



Installation view from my Degree Show 'Locomotion' at the Glasgow School of Art, Stow Building, UK, 2019 Four Variations in Perception of Locomotion Four Variations in Perception of Locomotion Four Variations in Perception of Locomotion, 4-channel FHD video installation, 2019 Broken to Continuous Locomotion Broken to Continuous Locomotion, 189 x 29,4 cm, framed photographic inkjet print, 2019 Motion Detection, Motion Perception, Low to High Density Locomotion, Tracewalk Low to High Density Locomotion, single-channel FHD video, 12.9-inch retina screen, 00:34 min. continuous loop Tracewalk, 2019, 48 x 25 cm, framed photographic inkjet print




Four Variations in Perception of Locomotion
4-channel FHD video installation
2019



i. Slow Time i. Slow Time i. Slow Time i. Slow Time i. Slow Time
ii. Mechanical Time ii. Mechanical Time ii. Mechanical Time ii. Mechanical Time ii. Mechanical Time

iii. Liquefied Space iii. Liquefied Space iii. Liquefied Space iii. Liquefied Space iii. Liquefied Space
iv. Gravity Shift iv. Gravity Shift iv. Gravity Shift iv. Gravity Shift iv. Gravity Shift

i. Slow Time

ii.Mechanical Time

iii.Liquefied Space

iv. Gravity Shift.

Utilising surround sound, human motion and the venue space itself, the performance attempts to make conscious the effects of space and time on our bodies, minds and lives.

Movement: Benjamin Skop

Sound: Hannah Joy Newham and Ben Fletcher

Duration: ca. 20 min.

Six Variations of a Movement Sequence



(1) foundation, (2) reduction, (3) extension,
(4) connection, (5) imagination, (6) duration


6 channels, FHD video 16:9, 02:58 min.
Installation view, the Art School, Glasgow 2018




Laser – Movement – Fog


Experiment in collaboration with Studio Olafur Eliasson, 2017